While the visible aspects of a theatrical production such as acting, set design, and costumes are readily apparent to the audience, the musical score operates on a more subtle level, often influencing emotions, enhancing storytelling, and shaping the audience’s experience in profound ways. Music has the power to evoke emotions in ways that words and visuals alone cannot. A well-crafted musical score can intensify the emotional impact of a scene, whether it’s heightening tension during a dramatic confrontation or underscoring the poignancy of a tender moment. As an emotional resonance carrier through it’s narrative support music has the powerful capacity of guiding the audience through the story arc and emphasizing key plot points, enriching the storytelling experience. 

There is an ongoing contradiction between theatre directors, producers/financiers and composers about weather musical score should be an original one, or it’s better and more cost-effective to use pre-existing music, which reflects a broader debate within the theatrical community regarding the creative vision, financial considerations, and artistic integrity of incorporating original versus pre-existing musical scores in theatrical productions.

From the perspective of theatre directors, the choice between original and pre-existing music often hinges on the specific requirements of the production and the director’s artistic vision – as is a well known fact in the theatric world, that directors are the almighty supreme authority regarding creative decisions. Some directors may advocate for original scores, viewing them as an opportunity to collaborate closely with composers to tailor the music to the unique needs and thematic elements of the production. Original scores can offer a level of customization and integration with other creative elements such as choreography, staging, and lighting, enhancing the overall cohesion and impact of the performance.

On the other hand, directors may also see the value in using pre-existing music, particularly if it aligns well with the thematic, emotional, or historical context of the production. Moreover, licensing pre-existing music may be more cost-effective and logistically simpler than commissioning an original score, especially for smaller-scale productions with limited budgets or tight schedules.

Producers and financiers, meanwhile, may prioritize financial considerations and risk mitigation when evaluating the choice between original and pre-existing music. Commissioning an original score entails additional expenses related to hiring composers, musicians, and recording facilities, as well as potential royalties and licensing fees. In contrast, using pre-existing music may offer a more predictable cost structure and reduce the financial risk associated with producing a theatrical production.

However, producers and financiers must also weigh the potential benefits of investing in an original score, including the potential for creative innovation, artistic distinction, and long-term value generation. An original score can differentiate a production from competitors, attract critical acclaim, and contribute to its longevity and legacy in the theatrical landscape.

Composers occupy a unique position in this debate, as they bring their artistic sensibilities, expertise, and creative vision to the table. While some composers may stand up for the artistic freedom and creative fulfillment afforded by composing original scores, others may see value in arranging, reinterpreting, or adapting pre-existing music to suit the needs of a theatrical production. Ultimately, composers seek opportunities that allow them to showcase their talents, collaborate with other creative professionals, and contribute meaningfully to the artistic integrity and emotional resonance of the production. As a long time composer I will always advocate for those creative dimensions what only original music can offer in conjunction with the unique syncretic assumption of the sincere quest for the cathartic experience. 

In conclusion, this ongoing debate regarding the use of original versus pre-existing music reflects the complex interplay of artistic, financial, and logistical considerations inherent in theatrical productions. While each approach offers its own advantages and challenges, the decision ultimately depends on the specific context, goals, and creative vision of the production team, as well as the broader dynamics of the theatrical industry for the time being. Sooner as we might think AI will take over the entire creative process, and then the good old saying ‘Put your money where your mouth is’ will lose all it’s jovial and sarcastic meanings, as we all will lose the faith and dignity invested in our chosen and cherished profession.